雑貨
IDEE TOKYO
EXHIBIT WORKS
【Auction #01】Rut Bryk / kuutio
modernism24-005
0
【Auction #01】Rut Bryk / kuutio
https://www.idee-online.com/shop/goods/goods.aspx?goods=modernism24-005
https://www.idee-online.com/img/goods/9/20_1.jpg
550000
<img class="profile_photo" src="/images/item_page/prof_takesue_mitsustoshi.jpg" alt="武末充敏"><span class="with_photo"><em class="profile_name">出品者：武末充敏 / organ 店主</em>1949年福岡生まれ。小学低学年でアメ車の名前と形を覚え、同時期にロッカビリーに汚染される。中学生でビートルズに恋し、高校でカウンターカルチャーに出会う。大学でバンドを組み、アルバムを出して東京にバイバイして帰郷。チャールズ・イームズの椅子を見て「これって前から知ってた」とばかりに音のデザインから形のデザインへの関心が増し、1998年に「organ」を始める。面白くてやめられないからつづけている。<br><br> Born in 1949 in Fukuoka. In the early years of elementary school, he learned the names and shapes of American cars, and around the same time, became influenced by rockabilly. As a middle school student, he fell in love with The Beatles, and in high school, he encountered Counterculture. In university, he formed a band, released an album, and he then said goodbye to Tokyo to return home. Upon seeing Charles Eames' chair, he felt like he had known it all along, which sparked his interest in transitioning from sound design to form design. In 1998, he started "organ." He continues because "it's fascinating and I can't stop." <br><br></span></p><p class="clear pt20"><em class="profile_name">出品者の想い</em>Rut Bryk、1960年代の貴重な作品。タイルの三次元の性質と釉薬の変化を利用して、エッチングのような微細で抽象的な文様を描いています。影、光、反射による複雑な構成はまるで"宇宙の創生"のよう。前期の具象的な作品とは一線を画しつつ装飾性も感じさせる世界は、モノトーンであるにもかかわらず圧倒的な存在感です。外面はマットな仕上げ、立方体上部の口縁と内側だけにガラス釉が施されていて、裏面には"ARABA BRYK"のサインがあります。汚れのように見える箇所が散見されますが、すべて意図された製作時のもの。上部の隅に1か所、極小の打ちキズがありますが、目立たないものです。<br><br>Rut Bryk, valuable works from the 1960s. Utilizing the three-dimensional properties of tiles and changes in glaze, Rut Bryk creates intricate and abstract patterns reminiscent of etching. The complex composition created by shadows, light, and reflections is reminiscent of the genesis of the universe. While distinct from her earlier representational works, Rut Bryk's world evokes a sense of ornamentation, exuding an overwhelming presence despite its monochromatic palette. The exterior features a matte finish, with glass glaze applied only to the rim at the top of the cube and on the inside. The backside bears the signature "ARABA BRYK." The areas that appear to be stains are actually intentional marks created during the manufacturing process. There is a tiny chip at one corner on the upper part, but it is barely noticeable. </p></p><br><br><font color=#00449b>*We would like to ask for your understanding on the following conditions to take part in the auction:<br>- All communications will be in Japanese including enquiries and documents related to terms and conditions.<br>- Shipments to addresses within Japan only.</font>
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Born in 1949 in Fukuoka. In the early years of elementary school, he learned the names and shapes of American cars, and around the same time, became influenced by rockabilly. As a middle school student, he fell in love with The Beatles, and in high school, he encountered Counterculture. In university, he formed a band, released an album, and he then said goodbye to Tokyo to return home. Upon seeing Charles Eames' chair, he felt like he had known it all along, which sparked his interest in transitioning from sound design to form design. In 1998, he started "organ." He continues because "it's fascinating and I can't stop."
出品者の想いRut Bryk、1960年代の貴重な作品。タイルの三次元の性質と釉薬の変化を利用して、エッチングのような微細で抽象的な文様を描いています。影、光、反射による複雑な構成はまるで"宇宙の創生"のよう。前期の具象的な作品とは一線を画しつつ装飾性も感じさせる世界は、モノトーンであるにもかかわらず圧倒的な存在感です。外面はマットな仕上げ、立方体上部の口縁と内側だけにガラス釉が施されていて、裏面には"ARABA BRYK"のサインがあります。汚れのように見える箇所が散見されますが、すべて意図された製作時のもの。上部の隅に1か所、極小の打ちキズがありますが、目立たないものです。
Rut Bryk, valuable works from the 1960s. Utilizing the three-dimensional properties of tiles and changes in glaze, Rut Bryk creates intricate and abstract patterns reminiscent of etching. The complex composition created by shadows, light, and reflections is reminiscent of the genesis of the universe. While distinct from her earlier representational works, Rut Bryk's world evokes a sense of ornamentation, exuding an overwhelming presence despite its monochromatic palette. The exterior features a matte finish, with glass glaze applied only to the rim at the top of the cube and on the inside. The backside bears the signature "ARABA BRYK." The areas that appear to be stains are actually intentional marks created during the manufacturing process. There is a tiny chip at one corner on the upper part, but it is barely noticeable.
*We would like to ask for your understanding on the following conditions to take part in the auction:
- All communications will be in Japanese including enquiries and documents related to terms and conditions.
- Shipments to addresses within Japan only.