雑貨
IDEE TOKYO
EXHIBIT WORKS
【Auction #02】George Nakashima / Grass Seated Chair (HUDCO)
modernism24-024
0
【Auction #02】George Nakashima / Grass Seated Chair (HUDCO)
https://www.idee-online.com/shop/goods/goods.aspx?goods=modernism24-024
https://www.idee-online.com/img/goods/9/3_1.jpg
500000
<img class="profile_photo" src="/images/item_page/prof_lullaby.png" alt="森一磨"><span class="with_photo"><em class="profile_name">出品者：森一磨 / LULLABY 代表,バイヤー</em>Webを中心としたデジタルコンテンツの企画、開発を行う株式会社スモールエンターテインメント 代表。伝統工芸の組子細工建具を作る実家で育った事から、家具や職人の技術に興味を持ち、各国のヴィンテージ家具や雑貨の収集を始め、2020年より販売サイト、LULLABYを始める。<br><br>Representative of Small Entertainment Co., Ltd., which focuses on planning and developing digital content primarily for the web. He grew up in a family that produces traditional Japanese kumiko woodworking joinery, which sparked his interest in furniture and artisanal craftsmanship. This led him to start collecting vintage furniture and accessories from various countries. In 2020, he launched a sales website called LULLABY to showcase and sell these items.</span></p><p class="clear pt20"><em class="profile_name">出品者の想い</em>この作品がデザインされたのは1940年代ですが、インドのAhmedabadにあるデザイン研究所、 NID（National Institute of Design）に32種の家具図面と製作権を残し、1960-70年代中期頃まで 現地の材料、職人によって作られていたようです。今回の作品はストーリーの舞台、Ahmedabadで見つかった作品。インドの政府機関、HUDCO（Housing and Urban Development Corporation Limited）から放出されたもので、それを裏付けるレターも残っております。この作品でレターがあるものは私も今回が初見。彼の作品でこうして情報が読み取れる作品は非常に面白く、興味深いです。彼は日本で作品を展示する際、「里帰り」と表現していたようですが、今回の作品に私もそのように感じました。<br><br>The design of this piece dates back to the 1940s, but the drawings for 32 types of furniture and manufacturing rights were left to the National Institute of Design (NID) in Ahmedabad, India. From the mid-1960s to the 1970s, these pieces were reportedly crafted locally using indigenous materials and artisans. The piece featured this time was found in Ahmedabad, the setting of the story. It was released from the Indian government agency, HUDCO (Housing and Urban Development Corporation Limited), and there is a letter supporting this. This is my first time seeing a piece with such a letter as well. Works like this one, where such information can be discerned, are indeed fascinating and intriguing. He used to describe exhibiting his works in Japan as "coming home," and I also felt that way about this piece.</p></p><br><br><font color=#00449b>*We would like to ask for your understanding on the following conditions to take part in the auction:<br>- All communications will be in Japanese including enquiries and documents related to terms and conditions.<br>- Shipments to addresses within Japan only.</font>
10
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Representative of Small Entertainment Co., Ltd., which focuses on planning and developing digital content primarily for the web. He grew up in a family that produces traditional Japanese kumiko woodworking joinery, which sparked his interest in furniture and artisanal craftsmanship. This led him to start collecting vintage furniture and accessories from various countries. In 2020, he launched a sales website called LULLABY to showcase and sell these items.
出品者の想いこの作品がデザインされたのは1940年代ですが、インドのAhmedabadにあるデザイン研究所、 NID（National Institute of Design）に32種の家具図面と製作権を残し、1960-70年代中期頃まで 現地の材料、職人によって作られていたようです。今回の作品はストーリーの舞台、Ahmedabadで見つかった作品。インドの政府機関、HUDCO（Housing and Urban Development Corporation Limited）から放出されたもので、それを裏付けるレターも残っております。この作品でレターがあるものは私も今回が初見。彼の作品でこうして情報が読み取れる作品は非常に面白く、興味深いです。彼は日本で作品を展示する際、「里帰り」と表現していたようですが、今回の作品に私もそのように感じました。
The design of this piece dates back to the 1940s, but the drawings for 32 types of furniture and manufacturing rights were left to the National Institute of Design (NID) in Ahmedabad, India. From the mid-1960s to the 1970s, these pieces were reportedly crafted locally using indigenous materials and artisans. The piece featured this time was found in Ahmedabad, the setting of the story. It was released from the Indian government agency, HUDCO (Housing and Urban Development Corporation Limited), and there is a letter supporting this. This is my first time seeing a piece with such a letter as well. Works like this one, where such information can be discerned, are indeed fascinating and intriguing. He used to describe exhibiting his works in Japan as "coming home," and I also felt that way about this piece.
*We would like to ask for your understanding on the following conditions to take part in the auction:
- All communications will be in Japanese including enquiries and documents related to terms and conditions.
- Shipments to addresses within Japan only.